{"id":4077,"date":"2018-10-10T11:29:00","date_gmt":"2018-10-10T09:29:00","guid":{"rendered":"http:\/\/www.combats-magazine.org\/fr\/?p=4077"},"modified":"2018-10-10T11:29:00","modified_gmt":"2018-10-10T09:29:00","slug":"festival-de-cinema-san-sebastian-yuli-girl-la-danse-sous-tension","status":"publish","type":"post","link":"http:\/\/www.combats-magazine.org\/fr\/festival-de-cinema-san-sebastian-yuli-girl-la-danse-sous-tension\/","title":{"rendered":"Festival de cin\u00e9ma San Sebastian : Yuli, Girl : la danse sous tension"},"content":{"rendered":"

\"\"
\nQ<\/span><\/span><\/span>u<\/span><\/span><\/span>el lien y a t-il entre le <\/span><\/span><\/span>cubain Carlos\u00a0<\/span><\/span><\/span>Acosta<\/span><\/span><\/span>, <\/span><\/span><\/span>nagu\u00e8re<\/span><\/span><\/span> premier danseur du Royal Ballet de Londres, et un\u00a0adolescent <\/span><\/span><\/span>belge <\/span><\/span><\/span>qui veut devenir <\/span><\/span><\/span>ballerine<\/span><\/span><\/span>\u202f?\u00a0La\u00a0reponse\u00a0:\u00a0le corps en tant que\u00a0<\/span><\/span><\/span>lieu de l’<\/span><\/span><\/span>effort, de <\/span><\/span><\/span>la <\/span><\/span><\/span> souffrance <\/span><\/span><\/span>et du sacrifice<\/span><\/span><\/span>. <\/span><\/span><\/span>Car c’est <\/span><\/span><\/span>le corps <\/span><\/span><\/span>fa\u00e7onn\u00e9 par l’<\/span><\/span><\/span>esprit <\/span><\/span><\/span>et <\/span><\/span><\/span>s<\/span><\/span><\/span>a vo<\/span><\/span><\/span>lont\u00e9<\/span><\/span><\/span> de puissance<\/span><\/span><\/span> qui <\/span><\/span><\/span>relie <\/span><\/span><\/span> ces <\/span><\/span><\/span>deux films \u00ab\u00a0<\/span><\/span><\/span>Yuli<\/span><\/span><\/span>\u00ab\u00a0, \u00ab\u00a0Girl\u00a0\u00bb <\/span><\/span><\/span>qui d\u00e9frai<\/span><\/span><\/span>e<\/span><\/span><\/span> l’actualit\u00e9<\/span><\/span><\/span>.\u00a0<\/span><\/span><\/span><\/span><\/span><\/em><\/p>\n

Commen\u00e7ons\u00a0par \u00ab\u00a0<\/span><\/span><\/span>Yuli<\/span><\/span><\/span>\u00ab\u00a0, nom d’art de Carlos\u00a0<\/span><\/span><\/span>Acosta<\/span><\/span><\/span>, grand danseur cubain, qui sans passer \u00e0 \u201cl’ennemi\u201d, <\/span><\/span><\/span>comme certain<\/span><\/span><\/span>s<\/span><\/span><\/span> de <\/span><\/span><\/span>s<\/span><\/span><\/span>es illustres pr\u00e9d\u00e9cesseurs,<\/span><\/span><\/span> c’est \u00e0 dire \u00e0 l’Occident, <\/span><\/span><\/span>a <\/span><\/span><\/span>n\u00e9anmoins <\/span><\/span><\/span>suscit<\/span><\/span><\/span>\u00e9<\/span><\/span><\/span> l’admiration des amateurs de ballet du monde entier. <\/span><\/span><\/span><\/span><\/span><\/p>\n

R\u00e9alis\u00e9 par\u00a0l’espagnole\u00a0<\/span><\/span><\/span>Iciar<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>Bollain<\/span><\/span><\/span>avec la complicit\u00e9 du sc\u00e9nariste <\/span><\/span><\/span> britannique Paul\u00a0<\/span><\/span><\/span>Laverty<\/span><\/span><\/span>, cette\u00a0coproduction\u00a0de <\/span><\/span><\/span>anglo-germano-hispano-cubaine<\/span><\/span><\/span>, <\/span><\/span><\/span>illustre<\/span><\/span><\/span> sur le grand\u00a0\u00e9cran\u00a0une \u00ab\u00a0biographie non-conventionnelle\u00a0\u00bb de\u00a0<\/span><\/span><\/span>Yuli<\/span><\/span><\/span>, Carlos\u00a0<\/span><\/span><\/span>Acosta<\/span><\/span><\/span>. Dans le film, <\/span><\/span><\/span>Yuli <\/span><\/span><\/span>se pr\u00eate au jeu en<\/span><\/span><\/span> interpr\u00e9tant<\/span><\/span><\/span> lui-<\/span><\/span><\/span>m\u00eame <\/span><\/span><\/span>quelques pas de danse <\/span><\/span><\/span>en tant qu<\/span><\/span><\/span>‘actuel<\/span><\/span><\/span> directeur d’une compagnie de ballet. <\/span><\/span><\/span>Ensuite <\/span><\/span><\/span>il\u00a0pr\u00e9sente\u00a0<\/span><\/span><\/span>l<\/span><\/span><\/span>es moments forts de sa vie par le biais des souvenirs centr\u00e9s souvent sur la personne de son\u00a0p\u00e8re, un descendant\u00a0 d’esclaves\u00a0enracin\u00e9 spirituellement dans le souvenir des religions africaines des\u00a0anc\u00eatres.\u00a0<\/span><\/span><\/span><\/span><\/span><\/p>\n

Yuli<\/span><\/span><\/span>, <\/span><\/span><\/span>c’<\/span><\/span><\/span>est l’histoire d’un homme <\/span><\/span><\/span>dot\u00e9 d’un <\/span><\/span><\/span>talent physique\u00a0extraordinaire\u00a0pour la danse, <\/span><\/span><\/span>mais <\/span><\/span><\/span>qui n’avait pas d<\/span><\/span><\/span>e vocation particuli\u00e8re pour elle. <\/span><\/span><\/span>\u00ab\u00a0<\/span><\/span><\/span>Enfant, <\/span><\/span><\/span>je voulais\u00a0\u00eatre\u00a0<\/span><\/span><\/span>f<\/span><\/span><\/span>oo<\/span><\/span><\/span>tballe<\/span><\/span><\/span>r<\/span><\/span><\/span>, <\/span><\/span><\/span>affirme-t-il, <\/span><\/span><\/span>c’est mon p\u00e8re qui m’a forc\u00e9\u00a0<\/span><\/span><\/span>\u00e0 <\/span><\/span><\/span>mettre<\/span><\/span><\/span>\u00a0mon talent au service de la danse\u00a0\u00bb. <\/span><\/span><\/span><\/span><\/span><\/p>\n

Il y a quelque chose\u00a0d’h\u00e9ro\u00efque\u00a0dans l’expression de ce danseur cubain, non seulement lorsqu’il se rappelle avec nostalgie des ann\u00e9es 80 de son enfance, les derniers moments de\u00a0l’\u00e9poque\u00a0sovi\u00e9tique de sa patrie cubaine, et avec fiert\u00e9 du \u00ab\u00a0p\u00e9riode\u00a0sp\u00e9ciale\u00a0\u00bb, les ann\u00e9es 90, lors que les\u00a0Cubains\u00a0ont su\u00a0r\u00e9sister\u00a0apr\u00e8s\u00a0l’effondrement de l’Union sovi\u00e9tique. Mais surtout quand il explique \u00ab\u00a0le combat entre corps et esprit\u00a0\u00bb <\/span><\/span><\/span>auquel<\/span><\/span><\/span> la danse <\/span><\/span><\/span>oblige<\/span><\/span><\/span>. \u00ab\u00a0Le fait de mettre <\/span><\/span><\/span>en <\/span><\/span><\/span>danger<\/span><\/span><\/span> sa propre sant\u00e9\u00a0\u00bb, pour le plaisir des spectateurs et pour la gloire de l’expression artistique, parce que \u00ab\u00a0le ballet est anti-anatomique et te demande de pousser \u00e0\u00a0l’ext\u00e9rieur, alors que l’anatomie de ton corps veut te tirer \u00e0\u00a0l’int\u00e9rieur\u00a0\u00bb. Voil\u00e0 en deux mots, le c<\/span><\/span><\/span>\u00f4<\/span><\/span><\/span>t<\/span><\/span><\/span>\u00e9<\/span><\/span><\/span>\u00a0h\u00e9ro\u00efque\u00a0de l’art, le\u00a0martyre\u00a0du corps pour la gloire\u00a0esth\u00e9tique.\u00a0 <\/span><\/span><\/span>Yuli<\/span><\/span><\/span>\u00a0a\u00a0<\/span><\/span><\/span>obtenu<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>le prix<\/span><\/span><\/span>\u00a0de la meilleure sc\u00e9n<\/span><\/span><\/span>ario<\/span><\/span><\/span> d<\/span><\/span><\/span>u festival de Saint-S\u00e9bastien. <\/span><\/span><\/span>Cette <\/span><\/span><\/span>reconnaissance<\/span><\/span><\/span> conf\u00e9r\u00e9 au sc\u00e9nariste britannique, n’est pas sans poser quelques questions sur la vision tr\u00e8s anglo-saxonne du pass\u00e9 colonial<\/span><\/span><\/span> de Cuba<\/span><\/span><\/span>. L’exp\u00e9rience\u00a0raciale et\u00a0identitaire\u00a0pr\u00e9sent\u00e9<\/span><\/span><\/span>e<\/span><\/span><\/span>\u00a0par le sc\u00e9nario de\u00a0<\/span><\/span><\/span>Laverty<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>ignore<\/span><\/span><\/span> ce que Carlos\u00a0<\/span><\/span><\/span>Acosta<\/span><\/span><\/span>\u00a0lui-m\u00eame\u00a0<\/span><\/span><\/span>a<\/span><\/span><\/span>\u00a0soulign\u00e9 en\u00a0conf\u00e9rence\u00a0de presse : \u00e0 savoir \u00ab\u00a0l’\u00e9clectisme\u00a0racial qui a\u00a0l\u00e9gu\u00e9\u00a0\u00e0 Cuba un m\u00e9tissage\u00a0extraordinaire\u00a0enracin\u00e9 dans un puissant esprit communautaire\u00a0\u00bb, qui <\/span><\/span><\/span>a pu <\/span><\/span><\/span>\u00a0\u00eatre\u00a0a \u00e9t\u00e9 consolid\u00e9 par\u00a0l’exp\u00e9rience\u00a0politique communiste. <\/span><\/span><\/span><\/span><\/span><\/p>\n

Il y <\/span><\/span><\/span> a\u00a0<\/span><\/span><\/span>sans doute <\/span><\/span><\/span>quelque chose de\u00a0schizophr\u00e9nique\u00a0dans un film o\u00f9 la mise en sc\u00e8ne techniquement <\/span><\/span><\/span>impeccable<\/span><\/span><\/span>, trahi<\/span><\/span><\/span>t<\/span><\/span><\/span> la culture <\/span><\/span><\/span>dualiste du sc\u00e9nariste <\/span><\/span><\/span>o\u00f9 <\/span><\/span><\/span>l’exp\u00e9rience\u00a0collective des peuples du monde <\/span><\/span><\/span>est r\u00e9interpr\u00e9t\u00e9 \u00e0 l’aulne <\/span><\/span><\/span>d’un prisme unique : ce qu’on pourait <\/span><\/span><\/span>appeler<\/span><\/span><\/span> \u201cl’a<\/span><\/span><\/span>nglo-balisation. <\/span><\/span><\/span>Ce n’est pas rien. <\/span><\/span><\/span>\u00a0<\/span><\/span><\/span><\/span><\/span><\/p>\n

Girl, une mutation transhumaine<\/strong><\/p>\n

De <\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>Yuli<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>et <\/span><\/span><\/span> Girl\u2026 <\/span><\/span><\/span>il n’y a qu’un pas… de danse qui nous fait <\/span><\/span><\/span> pass<\/span><\/span><\/span>er<\/span><\/span><\/span> du c\u00f4t\u00e9 sombre de ce combat imm\u00e9morial : de la lumi\u00e8re aux t\u00e9n\u00e8bres<\/span><\/span><\/span>. Et <\/span><\/span><\/span>ce, <\/span><\/span><\/span> non seulement parce qu’au talent naturel d’un\u00a0danseur\u00a0cubain, <\/span><\/span><\/span>s’oppose<\/span><\/span><\/span>\u00a0la lutte contre-nature d’un adolescent belge qui veut changer de sexe et devenir balle<\/span><\/span><\/span>rine m<\/span><\/span><\/span>ais aussi parce que cette\u00a0coproduction\u00a0belge\u00a0et n\u00e9erlandaise, r\u00e9alis\u00e9 par Lucas\u00a0<\/span><\/span><\/span>Dhont<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>a obtenu le prix du <\/span><\/span><\/span> \u00ab\u00a0meilleur film europ\u00e9en\u00a0\u00bb, apr\u00e8s avoir r\u00e9colt\u00e9<\/span><\/span><\/span> quelques lauriers \u00e0 Cannes. <\/span><\/span><\/span>C’est dire \u00e0 quel point le film et la th\u00e9matique qu’elle d\u00e9velopp<\/span><\/span><\/span>e<\/span><\/span><\/span>, <\/span><\/span><\/span>la<\/span><\/span><\/span> trans-sexualit\u00e9,est tendance <\/span><\/span><\/span>aujourd’hui parmi les <\/span><\/span><\/span>publics d’Europe. Cet\u00a0int\u00e9r\u00eat\u00a0interpelle. <\/span><\/span><\/span>Pourquoi ? Parce<\/span><\/span><\/span> que\u00a0au-del\u00e0\u00a0d<\/span><\/span><\/span>u drame <\/span><\/span><\/span>personnel <\/span><\/span><\/span>et <\/span><\/span><\/span>parfois tragiques <\/span><\/span><\/span>que recouvre ces histoires, <\/span><\/span><\/span>ce flm marque une \u00e9tape <\/span><\/span><\/span>\u00a0dans <\/span><\/span><\/span>ce que l’on pourrait d\u00e9signer comme <\/span><\/span><\/span>la marchandisation du corps humain. Le message subliminal est,\u00a0h\u00e9las, clair : on peut <\/span><\/span><\/span>d\u00e9sormais <\/span><\/span><\/span>choisir s<\/span><\/span><\/span>on <\/span><\/span><\/span>sex<\/span><\/span><\/span>e<\/span><\/span><\/span>, <\/span><\/span><\/span>gr\u00e2ce au <\/span><\/span><\/span>progr\u00e8s technologique et\u00a0m\u00e9dical, comme on choisit n’importe lequel produit de consommation. Girl, <\/span><\/span><\/span>illustre le drame d’ un esprit <\/span><\/span><\/span>f\u00e9minin <\/span><\/span><\/span> dans un <\/span><\/span><\/span>corps <\/span><\/span><\/span>de gar\u00e7on. <\/span><\/span><\/span> N<\/span><\/span><\/span>ous sommes loin, tr\u00e8s loin de<\/span><\/span><\/span>s d\u00e9clarations<\/span><\/span><\/span> de <\/span><\/span><\/span>ce que la<\/span><\/span><\/span>\u00a0f\u00e9ministe\u00a0australienne Germaine\u00a0<\/span><\/span><\/span>Greer<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>affirmait il y a quelque d\u00e9cennies : \u201c<\/span><\/span><\/span>on\u00a0n’est pas femme parce\u00a0qu\u2019on\u00a0le choisit, mais\u00a0qu’\u00eatre\u00a0femme est \u00ab\u00a0un cadeau de Dieu\u00a0\u00bb (un homme aussi, on <\/span><\/span><\/span>pr\u00e9sume<\/span><\/span><\/span>…). <\/span><\/span><\/span><\/span><\/span><\/p>\n

A <\/span><\/span><\/span>l’oppos\u00e9<\/span><\/span><\/span> le film de\u00a0<\/span><\/span><\/span>Dhont<\/span><\/span><\/span>\u00a0le spectateur est\u00a0<\/span><\/span><\/span>incit\u00e9<\/span><\/span><\/span>\u00a0\u00e0 <\/span><\/span><\/span>poser un regard bienveillant sur un <\/span><\/span><\/span> un adolescent <\/span><\/span><\/span>qui <\/span><\/span><\/span>\u00a0ha\u00ef<\/span><\/span><\/span>t<\/span><\/span><\/span>\u00a0son corps jusqu’\u00e0 <\/span><\/span><\/span>le <\/span><\/span><\/span>mutiler,\u00a0ciseaux\u00a0\u00e0 la main, ce que <\/span><\/span><\/span>ses copines <\/span><\/span><\/span> (les vraies, les \u00ab\u00a0cadeaux de Dieu\u00a0\u00bb de\u00a0<\/span><\/span><\/span>Greer<\/span><\/span><\/span>) appellent\u00a0\u00a0\u00ab\u00a0la troisi\u00e8me patte\u00a0\u00bb… (<\/span><\/span><\/span>Cette mutilation sur l’\u00e9cran, <\/span><\/span><\/span>film\u00e9 avec on ne peut plus de r\u00e9alisme <\/span><\/span><\/span>a\u00a0provoqu\u00e9\u00a0<\/span><\/span><\/span><\/span><\/span>l’\u00e9vanouissement\u00a0d’une\u00a0spectatrice\u00a0d<\/span><\/span><\/span>urant <\/span><\/span><\/span> la\u00a0projection <\/span><\/span><\/span>pour<\/span><\/span><\/span> la presse\u00a0accr\u00e9dit\u00e9<\/span><\/span><\/span>e). <\/span><\/span><\/span> Que faut-il en conclure ? <\/span><\/span><\/span>Prenons le risque du sarcasme: serait cet \u00e9pisode un signe\u00a0proph\u00e9tique, peut\u00a0\u00eatre\u00a0qu’il faut appeler les\u00a0secours pour emp\u00eacher le\u00a0d\u00e9ferlement\u00a0de notre culture post-moderne dans un monde\u00a0trans-humain\u202f?<\/span><\/span><\/span><\/span><\/span><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Quel lien y a t-il entre le cubain Carlos\u00a0Acosta, nagu\u00e8re premier danseur du Royal Ballet de Londres, et un\u00a0adolescent belge qui veut devenir ballerine\u202f?\u00a0La\u00a0reponse\u00a0:\u00a0le corps en tant que\u00a0lieu de l’effort,…<\/p>\n

Lire plus →<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76,38],"tags":[634],"class_list":["post-4077","post","type-post","status-publish","format-standard","hentry","category-une","category-cinema-critique","tag-64e-edition-du-festival-international-du-cinema-de-saint-sebastien"],"_links":{"self":[{"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/posts\/4077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/comments?post=4077"}],"version-history":[{"count":0,"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/posts\/4077\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/media?parent=4077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/categories?post=4077"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.combats-magazine.org\/fr\/wp-json\/wp\/v2\/tags?post=4077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}