{"id":4073,"date":"2018-10-10T09:57:15","date_gmt":"2018-10-10T07:57:15","guid":{"rendered":"http:\/\/www.combats-magazine.org\/fr\/?p=4073"},"modified":"2018-10-10T09:58:04","modified_gmt":"2018-10-10T07:58:04","slug":"le-royaume-sans-vertu-lamour-sans-pensees-et-le-dernier-des-mohicans-castristes","status":"publish","type":"post","link":"http:\/\/www.combats-magazine.org\/fr\/le-royaume-sans-vertu-lamour-sans-pensees-et-le-dernier-des-mohicans-castristes\/","title":{"rendered":"Festival de cin\u00e9ma San Sebastian : Le royaume sans vertu, l’amour sans pens\u00e9es et le dernier des Mohicans castristes"},"content":{"rendered":"
\"\"

Ricardo Darin<\/p><\/div>\n

Si les Italiens avaient <\/span><\/span><\/span>pu produire <\/span><\/span><\/span>un film sur \u00ab\u00a0<\/span><\/span><\/span>Tangentopoli<\/span><\/span><\/span>\u00ab\u00a0, celui-ci aurait \u00e9t\u00e9 la version italienne\u00a0<\/span><\/span><\/span>de El<\/em><\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>Reino<\/span><\/span><\/span><\/em>,<\/em> \u201cle Royaume\u201d r\u00e9alis\u00e9 par l’espagnol Rodrigo\u00a0<\/span><\/span><\/span>Sorogoyen<\/span><\/span><\/span>. Il s’agit donc, d’un<\/span><\/span><\/span>e<\/span><\/span><\/span> fiction <\/span><\/span><\/span>prenant appui <\/span><\/span><\/span>sur une <\/span><\/span><\/span>r\u00e9alit\u00e9 \u00f4 combien d’actualit\u00e9, h\u00e9las<\/span><\/span><\/span>\u00a0:<\/span><\/span><\/span>\u00a0la corruption politique <\/span><\/span><\/span>et ses complicit\u00e9s <\/span><\/span><\/span> m\u00e9dia<\/span><\/span><\/span>tiques<\/span><\/span><\/span>. Le film ne <\/span><\/span><\/span>donne <\/span><\/span><\/span>aucun<\/span><\/span><\/span> nom… <\/span><\/span><\/span>m<\/span><\/span><\/span>ais tout <\/span><\/span><\/span>un chacun d’o\u00f9 qu’il soit <\/span><\/span><\/span> p<\/span><\/span><\/span>ourra<\/span><\/span><\/span> reconna\u00eetre <\/span><\/span><\/span>s<\/span><\/span><\/span>es propres acteurs dans le turpitudes de ce mariage d\u00e9tonant de l’argent et du pouvoir. <\/span><\/span><\/span> \u00ab\u00a0Le film se penche sur le monde qui peuple les appar<\/span><\/span><\/span>eil<\/span><\/span><\/span>s politiques \u00e0 notre \u00e9poque\u00a0\u00bb a expliqu\u00e9\u00a0<\/span><\/span><\/span>Sorogoyen<\/span><\/span><\/span>, \u00ab\u00a0ce qu’ils se\u00a0<\/span><\/span><\/span>disent<\/span><\/span><\/span>\u00a0entre eux, comment il se\u00a0<\/span><\/span><\/span>crachent<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>\u00e0 <\/span><\/span><\/span>la figure apr\u00e8s (ou avant) s’\u00eatre faits la bise\u00a0\u00bb. Dommage, que ce Royaume <\/span><\/span><\/span>qui n’est pas seulement espagnol tant s’en faut <\/span><\/span><\/span> n’a<\/span><\/span><\/span>it pas obtenu de <\/span><\/span><\/span> prix. <\/span><\/span><\/span>La seule faiblesse du film est <\/span><\/span><\/span> de <\/span><\/span><\/span>se transformer brusquement en<\/span><\/span><\/span> film d’action\u00a0au moment o\u00f9 le <\/span><\/span><\/span>cadre de parti <\/span><\/span><\/span>corrompu, <\/span><\/span><\/span>entend<\/span><\/span><\/span> d\u00e9noncer <\/span><\/span><\/span>s<\/span><\/span><\/span>es coll\u00e8gues et <\/span><\/span><\/span>qu’<\/span><\/span><\/span>il arrive \u00e0 \u00e9liminer un sicaire <\/span><\/span><\/span>qui veut le tuer<\/span><\/span><\/span>. <\/span><\/span><\/span>Il est f<\/span><\/span><\/span>ort improbable <\/span><\/span><\/span>qu’un cadre <\/span><\/span><\/span>politique puisse buter un barbouze. <\/span><\/span><\/span>Cette pirouette d\u00e9cr\u00e9dibilise le film qui \u00e9tait pourtant bien parti. N’est pas Samson qui veut <\/span><\/span><\/span>…<\/span><\/span><\/span><\/span><\/span><\/p>\n

Venons \u00e0 une com\u00e9die argentine l\u00e9g\u00e8re, sympa <\/span><\/span><\/span>mais teint\u00e9e de <\/span><\/span><\/span>triste<\/span><\/span><\/span>sse. <\/span><\/span><\/span>El\u00a0<\/em><\/span><\/span><\/span>amor<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>menos<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>pensado<\/span><\/span><\/span><\/em>, (L’amour moins r\u00e9fl\u00e9chi), r\u00e9alis\u00e9 par Juan Vera, ayant comme protagonistes deux acteurs de renom outre-Atlantique comme Ricardo\u00a0<\/span><\/span><\/span>Darin<\/span><\/span><\/span>\u00a0et Mercedes\u00a0<\/span><\/span><\/span>Moran<\/span><\/span><\/span>. Apr\u00e8s 25 ans de mariage, au moment o\u00f9 le<\/span><\/span><\/span>ur<\/span><\/span><\/span> fils part de la maison, une coupe d\u00e9cide de se s\u00e9parer, san<\/span><\/span><\/span>s<\/span><\/span><\/span> tr<\/span><\/span><\/span>op<\/span><\/span><\/span> bien <\/span><\/span><\/span>savoir <\/span><\/span><\/span> pourquoi. Le film suit le<\/span><\/span><\/span>ur<\/span><\/span><\/span>s aventures jusqu’au moment o\u00f9\u00a0<\/span><\/span><\/span>fatigu\u00e9s<\/span><\/span><\/span>\u00a0de \u00ab\u00a0<\/span><\/span><\/span>mariposear<\/span><\/span><\/span>\u00ab\u00a0, c’est-\u00e0-dire de \u00ab\u00a0papillonner\u00a0\u00bb de fleur en fleur… Ils d\u00e9cident de reprendre leur relation de couple. <\/span><\/span><\/span><\/span><\/span><\/p>\n

\u00ab\u00a0Toute personne ayant fait l’exp\u00e9rience d’une relation de couple <\/span><\/span><\/span>au-del\u00e0<\/span><\/span><\/span> de cinq ans, sait de quoi parle le film\u00a0\u00bb, a affirm\u00e9 sans\u00a0<\/span><\/span><\/span>m\u00e2cher pas<\/span><\/span><\/span>\u00a0ses mots, son r\u00e9alisateur\u201d.\u00a0<\/span><\/span><\/span>M<\/span><\/span><\/span>\u00ea<\/span><\/span><\/span>me<\/span><\/span><\/span>\u00a0si ajouterais-<\/span><\/span><\/span>je,<\/span><\/span><\/span> personne n’ose le dire ouvertement. En r\u00e9alit\u00e9 ce film est le miroir d’une g\u00e9n\u00e9ration, celle de votre serviteur : les quinquag\u00e9naires ayant <\/span><\/span><\/span>une longue <\/span><\/span><\/span> exp\u00e9rience de la vie de couple, marqu\u00e9 par les ann\u00e9es pass\u00e9es ensemble, la pr\u00e9sence et le d\u00e9part d’enfants. Mais ce que ce miroir refl\u00e8te, est l’image d’une g\u00e9n\u00e9ration qui cherche dans des aventures \u00e9rotiques <\/span><\/span><\/span>\u00e0 <\/span><\/span><\/span> remplir un vide <\/span><\/span><\/span>d’<\/span><\/span><\/span>une soci\u00e9t\u00e9 consum\u00e9riste et d\u00e9politis\u00e9<\/span><\/span><\/span>e<\/span><\/span><\/span> o<\/span><\/span><\/span>\u00f9 <\/span><\/span><\/span>tout <\/span><\/span><\/span> projet collectif <\/span><\/span><\/span>et <\/span><\/span><\/span>passionnel <\/span><\/span><\/span>brille par son <\/span><\/span><\/span> absen<\/span><\/span><\/span>ce<\/span><\/span><\/span>. <\/span><\/span><\/span>Ce qui explique sans doute cette tristesse l\u00e9g\u00e8re qui enveloppe ce film et dont l’incipit du film qui commence par une citation <\/span><\/span><\/span>de Moby Dick de\u00a0<\/span><\/span><\/span>Herman<\/span><\/span><\/span>\u00a0Melville, <\/span><\/span><\/span>nous donne une clef. Car <\/span><\/span><\/span>aucune aventure galante ne saurait ne saurait nous distraire de <\/span><\/span><\/span>ce \u201c<\/span><\/span><\/span>novembre humide et pluvieux dans l’\u00e2me\u00a0\u00bb,<\/span><\/span><\/span> \u00e0 moins de partir \u00e0 son tour<\/span><\/span><\/span> \u00e0 la chasse \u00e0 la baleine blanche.<\/span><\/span><\/span><\/span><\/span><\/p>\n

Terminons<\/span><\/span><\/span>\u00a0cette chronique\u00a0avec\u00a0\u00ab\u00a0Para la\u00a0<\/em><\/span><\/span><\/span>guerra<\/span><\/span><\/span><\/em>\u00ab\u00a0,\u00a0\u0153uvre\u00a0premi\u00e8re de l’argentin Francisco\u00a0<\/span><\/span><\/span>Marise<\/span><\/span><\/span>\u00a0qui nous\u00a0pr\u00e9sente\u00a0la via quotidienne d’un soldat des campagnes \u00ab\u00a0internationalistes\u00a0\u00bb de\u00a0<\/span><\/span><\/span>Fidel<\/span><\/span><\/span>\u00a0Castro.\u00a0<\/span><\/span><\/span>Andr\u00e9s<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>Rodriguez<\/span><\/span><\/span>,\u00a0v\u00e9t\u00e9ran\u00a0d<\/span><\/span><\/span>es guerres d’<\/span><\/span><\/span>Angola et d<\/span><\/span><\/span>u<\/span><\/span><\/span> Nicaragua, protagoniste du film <\/span><\/span><\/span>et incarnation vivante de cette \u00e9pop\u00e9e castriste<\/span><\/span><\/span>. Un film sur la guerre sans\u00a0<\/span><\/span><\/span>champs de bataille ou tir de fusil. <\/span><\/span><\/span>Un\u00a0\u0153uvre\u00a0qui explore la\u00a0m\u00e9moire\u00a0du combattant \u00e0 partir de l’observation du corps. Ce guerrier castriste raconte son\u00a0d\u00e9vouement\u00a0\u00e0 la r\u00e9volution cubaine et nous montre comme un enfant en train de jouer \u00e0 la guerre les\u00a0exercices\u00a0tactiques faits d’arts martiaux ou de marches dans des champs de mines. Il nous dit\u00a0pr\u00e9f\u00e9rer\u00a0la fusillade au silence \u00ab\u00a0parce que dans les tirs on sait o\u00f9 se trouve l’ennemi, dans le silence non\u00a0\u00bb. Malgr\u00e9 la\u00a0d\u00e9route\u00a0de son camp socialiste, comme le dernier des\u00a0<\/span><\/span><\/span>Mohicans<\/span><\/span><\/span>, ce <\/span><\/span><\/span>fid\u00e8le d ela premi\u00e8re heure, <\/span><\/span><\/span>nous explique\u00a0qu’atteindre\u00a0la paix de\u00a0l’\u00e2me\u00a0est plus <\/span><\/span><\/span>grand encore par <\/span><\/span><\/span>la douleur,\u00a0plut\u00f4t\u00a0que <\/span><\/span><\/span>par <\/span><\/span><\/span>le\u00a0confort\u00a0et la complaisance.<\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Si les Italiens avaient pu produire un film sur \u00ab\u00a0Tangentopoli\u00ab\u00a0, celui-ci aurait \u00e9t\u00e9 la version italienne\u00a0de El\u00a0Reino, \u201cle Royaume\u201d r\u00e9alis\u00e9 par l’espagnol Rodrigo\u00a0Sorogoyen. Il s’agit donc, d’une fiction prenant appui…<\/p>\n

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